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CANADA 150 – Newfoundland and Labrador – Sarah Savarey Hat Box

CANADA 150 – Newfoundland and Labrador – Sarah Savarey Hat Box

I’m starting my Canada 150 blogging project in Newfoundland and Labrador. Why? To start, it is the province that lies geographically furthest east, and moving east to west is an easy organizational structure. More deeply, Newfoundland and Labrador was one of the last provinces to join

L'image du passé!

L'image du passé!

Voici Danielle Dufault, l’illustratrice paléontologique du Musée royal de l’Ontario. Danielle utilise plusieurs techniques d’illustration pour reconstituer ou représenter la vie préhistorique en se basant sur le savoir actuel et des preuves scientifiques. Travaillant en étroite

Adventures in the Great Bear Rainforest: from the Royal Ontario Museum to the wilds of British Columbia with Paul Nicklen

Adventures in the Great Bear Rainforest: from the Royal Ontario Museum to the wilds of British Columbia with Paul Nicklen

By guest blogger   Paul Esposti, 2016  Environmental Visual Communication Program  graduate. It’s September 2016, although I’ve lost track of the days. But it’s September and I’m in Northern British Columbia and being dry is a distant memory as I lay in a damp field surrounded by tall

CANADA 150- Newfoundland and Labrador- Michael Massie Teapot

CANADA 150- Newfoundland and Labrador- Michael Massie Teapot

My second object from Newfoundland and Labrador is a contemporary piece by silversmith Michael Massie.  It is a teapot, mimicking the shape of an ulu knife, with etched designs on the silver body of the pot.  The handle is made of bloodwood. Massie is a contemporary Canadian artist who was born

CANADA 150- New Brunswick- Deichmann Pottery

CANADA 150- New Brunswick- Deichmann Pottery

It can be pretty common in rural parts of Canada to find a pottery studio. Lots of Ontario cottagers have favorite potters that they visit in their cottage community. Many of the Gulf Islands in BC have at least one resident potter. Quebec has a hugely successful pottery show that draws in

Wyandot Approaches to Archaeological Ceramics

Wyandot Approaches to Archaeological Ceramics

  Wyandot Approaches to Archaeological Ceramics By Richard Zane Smith and Catherine Tammaro This blog entry is the third in a series dedicated to Remembering Ancient Ceramic Traditions, a project initiated by us when we visited the Royal Ontario Museum’s New World Archaeology Collections to view

ROM Research: The Family Camera Network

ROM Research: The Family Camera Network

The Family Camera Network  is a SSHRC-funded, three-year research project that brings together over 25 researchers and 6 cultural and educational institutions to conduct a multi-partner scholarly study of family photographs. An important part of this project is creating public archives at the ROM

#ThrowbackThursday: Weaver's Shed Roof

In September, 1971, the ROM opened the landmark exhibition  Keep Me Warm One Night, a kaleidoscopic display of over 500 pieces of Canadian handweaving. It was the culmination of decades of pioneering research and collecting by the ROM curatorial powerhouse duo ‘Burnham and Burnham’, aka

#ThrowbackThursday: Asparagus Brunch

In September, 1971, the ROM opened the landmark exhibition  Keep Me Warm One Night, a kaleidoscopic display of over 500 pieces of Canadian handweaving. It was the culmination of decades of pioneering research and collecting by the ROM curatorial powerhouse duo ‘Burnham and Burnham’, aka

#ThrowbackThursday: Thank Goodness

In September, 1971, the ROM opened the landmark exhibition  Keep Me Warm One Night, a kaleidoscopic display of over 500 pieces of Canadian handweaving. It was the culmination of decades of pioneering research and collecting by the ROM curatorial powerhouse duo ‘Burnham and Burnham’, aka