Recherche
Préciser la recherche
Type (1)
- (-) Blogue (91)
Résultats 81 à 90 sur 91
Three cheers for Burgess Shale’ newest oddball animal, a worm with waving “arms”
By Jean-Bernard Caron, Senior Curator of Invertebrate Palaeontology, Royal Ontario Museum Today, the ROM is announcing a spectacular new species from the world-famous Burgess Shale site in Yoho National Park. Its name, Ovatiovermis cribratus, means “standing suspension-feeding worm” in Latin
The secret of Oesia: a Burgess Shale mystery, by Karma Nanglu
My name is Karma Nanglu and I’m a PhD student at the University of Toronto, but on a day-to-day basis I do my research at the Royal Ontario Museum. I’ve recently co-authored a research paper, Cambrian suspension-feeding tubicolous hemichordates, with Jean-Bernard Caron, Curator, Invertebrate
New Research from the Burgess Shale: Thorny worms that swarmed in the Cambrian seas
Hallucigenia sparsa is no ordinary animal. This poster child of the Burgess Shale biota is the ultimate weirdo, and the ROM holds the world’s largest collection of specimens. New research published July 31st in the Proceedings of the Royal Society, Series B, provides fresh new revelations about
Does a mild winter mean more insects?
With increasing frequency, as spring rolls in, ROM entomologists are asked this question: will mild winter temperatures result in more bugs this spring and summer? Unfortunately, there is no simple “yes” or “no” answer to this question — the best response is “It depends”. There
How to display the past….. Part 2: Collecting
In my last post I mentioned that various factors (sometimes pure chance) shaped a museum collection, and so affected the look of a public display. Here, I illustrate this by exploring the collection history of one particularly famous (even infamous) object. This ivory and gold figurine has
The 'Goddess' and the Museum: The Early Years
The front pages of The Palace of Minos volume 4.1, published by Sir Arthur Evans in 1935 This is the first of a series of articles that I will be writing as part of the ‘Minoan’ Ivory Goddess Research Project about an icon of the Royal Ontario Museum (ROM) collection: the ivory and gold female
The 'Goddess' and the Museum: Museum Attitudes
An old ROM photograph of the ‘Minoan’ ivory figurine on display in front of the watercolour reproduction by Piet de Jong of the Minoan Bull-Leaper fresco from Knossos Photo: © ROM Here I continue the story of an icon of the Royal Ontario Museum (ROM) collection: the ivory and gold female
The 'Goddess' and the Museum: "What's in a name?"
Here I continue the story of an icon of the Royal Ontario Museum (ROM) collection: the ivory and gold female figurine–ROM 931.21.1. For further information see the ‘Minoan’ Ivory Goddess Research Project. In my last two articles about the ‘Goddess’ in the Museum (The Early Years and
The Evans Connection Part 1: The Minoans Discovered
Here I continue the story of an icon of the Royal Ontario Museum (ROM) collection: the ivory and gold female figurine–ROM 931.21.1. For further information see the ‘Minoan’ Ivory Goddess Research Project. I discuss why the Museum, or indeed anyone, believed that the figurine was genuine. In
The Evans Connection Part 2: The Minoans Created
Here I continue the story of an icon of the Royal Ontario Museum (ROM) collection: the ivory and gold female figurine–ROM 931.21.1. For further information see the ‘Minoan’ Ivory Goddess Research Project. I follow up on Part1: The Minoans Discovered to show how the British archeologist, Sir