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How to display the past......
Ever wondered what goes in to the display you see in a museum gallery? I’m exploring some behind-the-scenes issues that shape what you see. This is the first of a series of posts that tie into a new course I’m teaching for University of Toronto graduate students called Greece and Rome at the
How to display the past….. Part 2: Collecting
In my last post I mentioned that various factors (sometimes pure chance) shaped a museum collection, and so affected the look of a public display. Here, I illustrate this by exploring the collection history of one particularly famous (even infamous) object. This ivory and gold figurine has
How to display the past.....Part 3: Curatorial Perspectives
As I mentioned in my first post, this behind-the-scenes tour is based on a course for University of Toronto graduates that I have been teaching this semester (my excuse for the long delay between blog posts). In the class the students heard two different experiences of putting together a permanent
The 'Goddess' and the Museum: The Early Years
The front pages of The Palace of Minos volume 4.1, published by Sir Arthur Evans in 1935 This is the first of a series of articles that I will be writing as part of the ‘Minoan’ Ivory Goddess Research Project about an icon of the Royal Ontario Museum (ROM) collection: the ivory and gold female
The 'Goddess' and the Museum: Museum Attitudes
An old ROM photograph of the ‘Minoan’ ivory figurine on display in front of the watercolour reproduction by Piet de Jong of the Minoan Bull-Leaper fresco from Knossos Photo: © ROM Here I continue the story of an icon of the Royal Ontario Museum (ROM) collection: the ivory and gold female
The 'Goddess' and the Museum: "What's in a name?"
Here I continue the story of an icon of the Royal Ontario Museum (ROM) collection: the ivory and gold female figurine–ROM 931.21.1. For further information see the ‘Minoan’ Ivory Goddess Research Project. In my last two articles about the ‘Goddess’ in the Museum (The Early Years and
The Evans Connection Part 1: The Minoans Discovered
Here I continue the story of an icon of the Royal Ontario Museum (ROM) collection: the ivory and gold female figurine–ROM 931.21.1. For further information see the ‘Minoan’ Ivory Goddess Research Project. I discuss why the Museum, or indeed anyone, believed that the figurine was genuine. In
The Evans Connection Part 2: The Minoans Created
Here I continue the story of an icon of the Royal Ontario Museum (ROM) collection: the ivory and gold female figurine–ROM 931.21.1. For further information see the ‘Minoan’ Ivory Goddess Research Project. I follow up on Part1: The Minoans Discovered to show how the British archeologist, Sir
The ROM ‘Minoan’ Goddess: The Minoan Relations
Here I continue the story of an icon of the Royal Ontario Museum (ROM) collection: the ivory and gold female figurine–ROM 931.21.1. For further information see the ‘Minoan’ Ivory Goddess Research Project. After looking at the best known of the dubious ‘Minoan’ figurines (which may be