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Résultats 251 à 260 sur 268
The Art of Creating a Legacy
As a DMV member for over 35 years, Josephine Breyfogle was always willing to take on new challenges—challenges to help advance the Museum’s mission and impact in the community. Thanks to a thoughtful gift in her estate, she will continue to do that for many years to come. Before she passed away
Making a Bequest
A bequest is a future commitment that does not restrict your current financial security as both the principal and income of your estate are available during your lifetime. Bequests are of significant value to ROM. It is the easiest and most popular way to leave a legacy to your Museum. Bequests are
How to display the past….. Part 2: Collecting
In my last post I mentioned that various factors (sometimes pure chance) shaped a museum collection, and so affected the look of a public display. Here, I illustrate this by exploring the collection history of one particularly famous (even infamous) object. This ivory and gold figurine has
The 'Goddess' and the Museum: The Early Years
The front pages of The Palace of Minos volume 4.1, published by Sir Arthur Evans in 1935 This is the first of a series of articles that I will be writing as part of the ‘Minoan’ Ivory Goddess Research Project about an icon of the Royal Ontario Museum (ROM) collection: the ivory and gold female
The 'Goddess' and the Museum: Museum Attitudes
An old ROM photograph of the ‘Minoan’ ivory figurine on display in front of the watercolour reproduction by Piet de Jong of the Minoan Bull-Leaper fresco from Knossos Photo: © ROM Here I continue the story of an icon of the Royal Ontario Museum (ROM) collection: the ivory and gold female
The 'Goddess' and the Museum: "What's in a name?"
Here I continue the story of an icon of the Royal Ontario Museum (ROM) collection: the ivory and gold female figurine–ROM 931.21.1. For further information see the ‘Minoan’ Ivory Goddess Research Project. In my last two articles about the ‘Goddess’ in the Museum (The Early Years and
The Evans Connection Part 1: The Minoans Discovered
Here I continue the story of an icon of the Royal Ontario Museum (ROM) collection: the ivory and gold female figurine–ROM 931.21.1. For further information see the ‘Minoan’ Ivory Goddess Research Project. I discuss why the Museum, or indeed anyone, believed that the figurine was genuine. In
The Evans Connection Part 2: The Minoans Created
Here I continue the story of an icon of the Royal Ontario Museum (ROM) collection: the ivory and gold female figurine–ROM 931.21.1. For further information see the ‘Minoan’ Ivory Goddess Research Project. I follow up on Part1: The Minoans Discovered to show how the British archeologist, Sir