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CANADA 150 – What We Make and What We’re Made Of
Hi! I'm Heather Read, the Rebanks Postdoctoral Fellow in Canadian Decorative Arts. In honour of Canada’s 150 th anniversary of Confederation, I’ll be writing a blog series this year highlighting interesting objects from the Canadian Decorative Arts Collection at the Royal Ontario Museum.
#ThrowbackThursday: Badly Tied Up
In September, 1971, the ROM opened the landmark exhibition Keep Me Warm One Night, a kaleidoscopic display of over 500 pieces of Canadian handweaving. It was the culmination of decades of pioneering research and collecting by the ROM curatorial powerhouse duo ‘Burnham and Burnham’, aka
CANADA 150 – Newfoundland and Labrador – Sarah Savarey Hat Box
I’m starting my Canada 150 blogging project in Newfoundland and Labrador. Why? To start, it is the province that lies geographically furthest east, and moving east to west is an easy organizational structure. More deeply, Newfoundland and Labrador was one of the last provinces to join
CANADA 150- Newfoundland and Labrador- Michael Massie Teapot
My second object from Newfoundland and Labrador is a contemporary piece by silversmith Michael Massie. It is a teapot, mimicking the shape of an ulu knife, with etched designs on the silver body of the pot. The handle is made of bloodwood. Massie is a contemporary Canadian artist who was born
CANADA 150- New Brunswick- Deichmann Pottery
It can be pretty common in rural parts of Canada to find a pottery studio. Lots of Ontario cottagers have favorite potters that they visit in their cottage community. Many of the Gulf Islands in BC have at least one resident potter. Quebec has a hugely successful pottery show that draws in
ROM Research: The Family Camera Network
The Family Camera Network is a SSHRC-funded, three-year research project that brings together over 25 researchers and 6 cultural and educational institutions to conduct a multi-partner scholarly study of family photographs. An important part of this project is creating public archives at the ROM
#ThrowbackThursday: Weaver's Shed Roof
In September, 1971, the ROM opened the landmark exhibition Keep Me Warm One Night, a kaleidoscopic display of over 500 pieces of Canadian handweaving. It was the culmination of decades of pioneering research and collecting by the ROM curatorial powerhouse duo ‘Burnham and Burnham’, aka
#ThrowbackThursday: Asparagus Brunch
In September, 1971, the ROM opened the landmark exhibition Keep Me Warm One Night, a kaleidoscopic display of over 500 pieces of Canadian handweaving. It was the culmination of decades of pioneering research and collecting by the ROM curatorial powerhouse duo ‘Burnham and Burnham’, aka
#ThrowbackThursday: Thank Goodness
In September, 1971, the ROM opened the landmark exhibition Keep Me Warm One Night, a kaleidoscopic display of over 500 pieces of Canadian handweaving. It was the culmination of decades of pioneering research and collecting by the ROM curatorial powerhouse duo ‘Burnham and Burnham’, aka
#ThrowbackThursday: Labels, labels, labels
In September, 1971, the ROM opened the landmark exhibition Keep Me Warm One Night, a kaleidoscopic display of over 500 pieces of Canadian handweaving. It was the culmination of decades of pioneering research and collecting by the ROM curatorial powerhouse duo ‘Burnham and Burnham’, aka