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Re-enactment, Archaeology, and the Ancient Rome & Greece Weekend: I of IV

Re-enactment, Archaeology, and the Ancient Rome & Greece Weekend: I of IV

As an archaeologist the main goal in my work is to understand the people of the past, and to share that understanding with others. As a museum archaeologist, a good way to share that knowledge is at family weekends, like the ROM's Ancient Rome & Greece Weekend on June 15 th-16 th 2013! I

Re-enactment, Archaeology, and the Ancient Rome & Greece Weekend II of IV: The Sword

Re-enactment, Archaeology, and the Ancient Rome & Greece Weekend II of IV: The Sword

The sword is one of the definitive weapons of the Roman soldier, right from the earliest days of the Empire. The Romans were very keen on swords, and gained much from contact (read conquering) the Iberians of Spain and Gauls of France. The carnage created by the slashes and thrusts of the Roman

Re-enactment, Archaeology, and the Ancient Rome & Greece Weekend III of IV: The Dagger

Re-enactment, Archaeology, and the Ancient Rome & Greece Weekend III of IV: The Dagger

So in my project to recreate the equipment of a 3rd century Roman soldier from Dura-Europos, following the creation of the sword, I next moved on to the dagger. Little seems to be known about the daggers used by soldiers in the Roman World of the 3 rd century AD. The well-known dagger of the Early

Museums, stories and things.

Museums, stories and things.

Hi there! No, wait. If I’m going to be the resident Australian here at the ROM for the next month I suppose I should ham it up some. Let me try again. G’day! I’m Maxine and I’ll be taking over part of the ROMs airwaves for the next few weeks writing as the Digital Communications intern.

Re-enactment, Archaeology, and the Ancient Rome & Greece Weekend IV of IV: The Tunic

Re-enactment, Archaeology, and the Ancient Rome & Greece Weekend IV of IV: The Tunic

An important part of everyday life in the past, but one with very little impact on the archaeological record, is clothing. Hence clothing is obviously an important part of my attempt to recreate the equipment of a soldier from 3rd century Dura-Europos. People typically wore clothes in the past, but

Re-enactment, Archaeology, and the Ancient Rome & Greece Weekend V of IV: The Final Story

Re-enactment, Archaeology, and the Ancient Rome & Greece Weekend V of IV: The Final Story

Ancient Rome & Greece Weekend is over, and I thought I would show you the results of my attempt to create a recreation, re-enactment, or impression of a soldier from Dura-Europos (so this is not really one of the original IV, so to speak, hence it is V of IV). In the group above you can see me

New Research from the Burgess Shale: Thorny worms that swarmed in the Cambrian seas

New Research from the Burgess Shale: Thorny worms that swarmed in the Cambrian seas

Hallucigenia sparsa is no ordinary animal. This poster child of the Burgess Shale biota is the ultimate weirdo, and the ROM holds the world’s largest collection of specimens. New research published July 31st in the Proceedings of the Royal Society, Series B, provides fresh new revelations about

The 'Goddess' and the Museum: The Early Years

The 'Goddess' and the Museum: The Early Years

The front pages of The Palace of Minos volume 4.1, published by Sir Arthur Evans in 1935 This is the first of a series of articles that I will be writing as part of the ‘Minoan’ Ivory Goddess Research Project about an icon of the Royal Ontario Museum (ROM) collection: the ivory and gold female

The 'Goddess' and the Museum: Museum Attitudes

The 'Goddess' and the Museum: Museum Attitudes

An old ROM photograph of the ‘Minoan’ ivory figurine on display in front of the watercolour reproduction by Piet de Jong of the Minoan Bull-Leaper fresco from Knossos Photo: © ROM Here I continue the story of an icon of the Royal Ontario Museum (ROM) collection: the ivory and gold female

The 'Goddess' and the Museum: "What's in a name?"

The 'Goddess' and the Museum: "What's in a name?"

Here I continue the story of an icon of the Royal Ontario Museum (ROM) collection: the ivory and gold female figurine–ROM 931.21.1. For further information see the ‘Minoan’ Ivory Goddess Research Project. In my last two articles about the ‘Goddess’ in the Museum (The Early Years and