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Summerasaurus Part III: The Jacketing Process

Mark Farmer recently returned from an expedition to the badlands of southern Alberta with Dr. David Evans, Associate Curator of Vertebrate Paleontology at the ROM, in search of dinosaurs. Join us over the course of the next month as Mark and Dr. Evans put up their notes from the field, detailing di

Summerasuarus: Dino Storage

y Lab to see how dinosaur bones are extracted from their plaster field jackets after they are hauled back from the field by palaeontologists like Dr. David Evans. But where does the ROM store these fossils once they are free from their rock matrix? Welcome to Vertebrate Palaeontology Collections

The ROM ‘Minoan’ Goddess: the Suspect Sisters (and brothers)

The ROM ‘Minoan’ Goddess: the Suspect Sisters (and brothers)

Here I continue the story of an icon of the Royal Ontario Museum (ROM) collection: the ivory and gold female figurine–ROM 931.21.1. For further information see the ‘ Minoan’ Ivory Goddess Research Project. The ROM Goddess is just one of the ‘Minoan’ figurines in several museums sometimes

Summerasaurus Part V: The Badlands

e you accept the fact that you’re in a place unlike anywhere else in Canada, it all becomes simple and beautiful. This is the environment where Dr. David Evans and his colleagues spend several weeks each year as part of the ROM’s Southern Alberta Dinosaur Project. It’s bone dry and

Fact & Falsehood in Ancient Roman and Greek objects

This coming weekend at the ROM (June 9-10) we will have Ancient Rome and Greece Weekend! There will be re-enactors demonstrating and displaying arms and armour, ROM experts and objects, an archery range with more re-enactors, and a myriad of activities including make a lucky “bulla”, creating

The 'Goddess' and the Museum: "What's in a name?"

The 'Goddess' and the Museum: "What's in a name?"

Here I continue the story of an icon of the Royal Ontario Museum (ROM) collection: the ivory and gold female figurine–ROM 931.21.1. For further information see the ‘Minoan’ Ivory Goddess Research Project. In my last two articles about the ‘Goddess’ in the Museum (The Early Years and

How to display the past….. Part 2: Collecting

In my last post  I mentioned that various factors (sometimes pure chance) shaped a museum collection, and so affected the look of a public display.  Here, I illustrate this by exploring the collection history of one particularly famous (even infamous) object.  This ivory and gold figurine has

#ThrowbackThursday: Thank Goodness

In September, 1971, the ROM opened the landmark exhibition  Keep Me Warm One Night, a kaleidoscopic display of over 500 pieces of Canadian handweaving. It was the culmination of decades of pioneering research and collecting by the ROM curatorial powerhouse duo ‘Burnham and Burnham’, aka

Illustrations that Bring the Past Back to Life!

Illustrations that Bring the Past Back to Life!

Meet Danielle Dufault—she is the Royal Ontario Museum's paleaontological illustrator. Danielle’s job requires her to reconstruct or depict prehistoric life according to current knowledge and scientific evidence using several illustrative techniques. Working closely with the researchers

The 'Goddess' and the Museum: Museum Attitudes

The 'Goddess' and the Museum: Museum Attitudes

An old ROM photograph of the ‘Minoan’ ivory figurine on display in front of the watercolour reproduction by Piet de Jong of the Minoan Bull-Leaper fresco from Knossos Photo: © ROM Here I continue the story of an icon of the Royal Ontario Museum (ROM) collection: the ivory and gold female