Laurel, Oak, and Peacock: The Politics of Men's Historical Fashion
Categories
Art & Culture
Fellowship
Researcher
About the Project
The embroidered formal coat from the court of Napoleon in 19th century France, reveals complex ways in which men's fashion has been, and continues to be, used to communicate assimilation and imperialism within Napoleon’s first satellite court, social status, political affiliation and power. It was worn in Milan on 26 May 1805 when Napoleon was crowned King of Italy in a ceremony that demonstrated the political, cultural, and economic unification of Italy and France. Hebdon explores the many artisans, court functionaries, and politicians who designed, bought, and spread Napoleonic imagery through court costumes in Paris and Milan.