Royal Ontario Museum Blog
Monthly Archive: December cont
Turning Fear Into Fascination
As you enter the Royal Ontario Museum's latest exhibition, you are immediately swarmed by scurrying spiders; hundreds of them, crawling all around you. But you can't touch them- they aren't real.
Totally Buggin’: Spiders and Insects in Pop Culture
He slowly raises his head. It’s then that she notices a clicking noise emanating from beneath his jaw. The workings of his jaw begin to move. Something is not right.
Image Credit: Director of Photography TRENT OPALOCH; Director NEILL BLOMKAMP. DISTRICT 9 image copyright TRISTAR PICTURES INC.
Eight-legged and Adorable
Let me paint you a picture of a spectacular critter. Staring up at you is an adorable little animal precious enough that it could fit in your hand. You carefully pick him up, and his tiny feet tickle your palm. As he slowly nestles into your hand, you realize that their fluffy body is soft to the touch. When you lean in to say hello, he peers back at you with shimmering eyes so sparkly that it seems like a cartoon character has come to life. Just like you, he can appreciate an evening staying cozy inside with his human pals. What are you thinking of?
Glimpses of Upper Burma: Clement Williams (1833-1879)
The recently-acquired collection of photography, documents, and artifacts provides a rare glimpse into Upper Burma before colonization, allowing us to consider the intersection of politics, trade, and religion in the 19th century. Written by Ron Graham and Deepali Dewan.
Appreciation of Indigenous Storytelling with Sister Spider
Written by Carly Brascoupé, Kiowa Wind Memorial Indigenous Youth Intern
“Origins of Chintz,” The Exhibit: A Look Back to 1970
“Chintz… the exotic fabric from India that caught Europe’s fancy… So popular it was banned in England and France… Revolutionized Europe’s textile printing industry.”
Thus exclaimed the brochure that accompanied the ROM’s landmark exhibition, ‘The Origins of Chintz’, which opened in April, 1970, now nearly fifty years ago. Occupying the whole of the central ground gallery, known today as Currelly’s Court, the exhibition displayed nearly 100 towering examples of Indian ‘chintz’.
Safavid Tile Project II: Rebuilding the Friezes
The ROM's Wirth Gallery of The Middle East is blessed with two complete friezes of cuerda seca tiles that would have been in the spandrels of arches. These were made in Iran in the last third of the 17th century under the Safavid dynasty, probably in Isfahan. They were bought by the ROM in 1974 by Curator Lisa Golombek together with a number of other tiles that make up parts of these friezes, or sometimes individual tiles.
Safavid Tile Project I: The Technology
Some of the most noticeable objects in the ROM's Wirth Gallery of The Middle East are two friezes of tiles that would have been in the spandrels of arches. These were made in Iran in the last third of the 17th century under the Safavid dynasty, probably for a palatial building in Isfahan. The ROM also has parts of other spandrel friezes, and also some stray tiles that belong to yet other friezes. In order to understand these objects more fully, ROM staff have been undertaking research on the tiles.
The Healing Power of Dinosaurs: A look at Dinosaur Day at The Hospital for Sick Children
Written by Min Wong, Outreach Volunteer, Member of Friends of Palaeontology
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