Photography
Monthly Archive: December Phot
Presenting our Winners of the 2023 ROM Wildlife Photographer of the Year Contest
Captivating Images from Winners of the ROM Photographer of the Year Contest
Presenting our Winners of the 2022 ROM Wildlife Photographer of the Year Contest
Captivating Images from Winners of the ROM Photographer of the Year Contest
Presenting our Winners of the 2021 ROM Wildlife Photographer of the Year Contest
Captivating Images from Winners of the ROM Photographer of the Year Contest
Presenting our Winners of the 2018 ROM Wildlife Photographer of the Year Contest
Captivating Images from Winners of the ROM Photographer of the Year Contest
Glimpses of Upper Burma: Clement Williams (1833-1879)
The recently-acquired collection of photography, documents, and artifacts provides a rare glimpse into Upper Burma before colonization, allowing us to consider the intersection of politics, trade, and religion in the 19th century. Written by Ron Graham and Deepali Dewan.
Presenting our Winners of the 2017 ROM Wildlife Photographer of the Year Contest
In celebration of the prestigious Wildlife Photographer of the Year exhibition, the Ontario-wide ROM Wildlife Photographer of the Year contest returned for its third year – with incredible prizes for both adult and youth categories!
Early Tourist Photography at Niagara Falls
By Victoria Abel, M.A.
The Living Room: Photography in the Public and Private
By Maya Wilson-Sanchez
Storytelling: Art, Culture, Nature
Guest blog by Environmental Visual Communication graduate Samantha Stephens
Art, Culture, Nature. They may be separate words, but if we consider them separate disciplines, we are doing a disservice to the potential of human wisdom. Without nature, there is no culture. Without culture, there is no art. EVC grad Samantha Stephens gives us some examples of how these themes intertwine in recent ROM research and exhibits, including the 2017 Wildlife Photographer of the Year exhibit, open now!
Family Camera: Mystery Missionary
If family albums are understood as social artifacts, rather than simply images, perhaps their vulnerability towards dehistoricization and aestheticization can be overcome. Written by Aliya Mazari.
