Royal Ontario Museum Blog
Monthly Archive: December cont
CANADA 150 - Nova Scotia – Black rag doll
![Detail of ROM Accession: 977.292.2 detail of doll's feet](https://www.rom.on.ca/sites/default/files/styles/medium/public/blog_post/thumbnail/black_doll_detail.jpg?itok=l_zFKWf-)
The Canadian Decorative Arts section of the Royal Ontario Museum has a reasonable doll collection, featuring both folk and commercially made dolls. Primarily the dolls represent the backgrounds of Anglophone and Francophone early Canadian settlers, like this handmade dancing doll from Quebec, and this knitted doll from Ontario. Both dolls date from the late 1800s/early 1900s. I should clarify that when I talk about the Canadian collection, I am discussing the collections devoted to immigrants and settlers. There are several dolls in the First Nations collection.
#ThrowbackThursday: Thank Goodness
In September, 1971, the ROM opened the landmark exhibition Keep Me Warm One Night, a kaleidoscopic display of over 500 pieces of Canadian handweaving. It was the culmination of decades of pioneering research and collecting by the ROM curatorial powerhouse duo ‘Burnham and Burnham’, aka Dorothy K. Burnham and Harold B. Burnham.
Wyandot Approaches to Archaeological Ceramics
![17th-century pottery fragment (photo by Catherine Tammaro) 17th-century Huron pot](https://www.rom.on.ca/sites/default/files/styles/medium/public/blog_post/thumbnail/c1.jpg?itok=_hRLXEF0)
This blog entry is the third in a series dedicated to Remembering Ancient Ceramic Traditions, a project initiated by us when we visited the Royal Ontario Museum’s New World Archaeology Collections to view and handle pottery made by our Ancestors. You can read more on the general idea behind the project in our first post (add link) and learn about typical archaeological approaches to ceramics in our second post (add link). In this entry, we discuss and explore our specific orientations—that is, as Wyandot artists—to the archaeological ceramic collections.
CANADA 150 - New Brunswick - Deichmann Pottery
![Detail of ROM Accession: 987.23.6.1 detail of a ceramic cup](https://www.rom.on.ca/sites/default/files/styles/medium/public/blog_post/thumbnail/deichmann_landscape.jpg?itok=l73yP81P)
It can be pretty common in rural parts of Canada to find a pottery studio. Lots of Ontario cottagers have favorite potters that they visit in their cottage community. Many of the Gulf Islands in BC have at least one resident potter. Quebec has a hugely successful pottery show that draws in artists from across the province, 1001 Pots, which highlights the rural potter’s lifestyle. It is so common that it’s hard to believe that there were, at one time, pioneers of that way of life.
#ThrowbackThursday: Asparagus Brunch
In September, 1971, the ROM opened the landmark exhibition Keep Me Warm One Night, a kaleidoscopic display of over 500 pieces of Canadian handweaving. It was the culmination of decades of pioneering research and collecting by the ROM curatorial powerhouse duo ‘Burnham and Burnham’, aka Dorothy K. Burnham and Harold B. Burnham.
CANADA 150 - Newfoundland and Labrador - Michael Massie Teapot
![Detail of Michael Massie teapot. ROM Accession: 2009.30.1.1-.2 detail of silver teapot](https://www.rom.on.ca/sites/default/files/styles/medium/public/blog_post/thumbnail/massie_teapot_landscape_0.jpg?itok=nDkdu_2X)
My second object from Newfoundland and Labrador is a contemporary piece by silversmith Michael Massie. It is a teapot, mimicking the shape of an ulu knife, with etched designs on the silver body of the pot. The handle is made of bloodwood. Massie is a contemporary Canadian artist who was born in Happy Valley-Goose Bay, Labrador, in 1962. He currently lives on the island portion of the province with his family.
#ThrowbackThursday: Weaver's Shed Roof
In September, 1971, the ROM opened the landmark exhibition Keep Me Warm One Night, a kaleidoscopic display of over 500 pieces of Canadian handweaving. It was the culmination of decades of pioneering research and collecting by the ROM curatorial powerhouse duo ‘Burnham and Burnham’, aka Dorothy K. Burnham and Harold B. Burnham.
CANADA 150 – Newfoundland and Labrador – Sarah Savarey Hat Box
![Trinity Harbour, 2007. Photo by Heather Read. fishing boat in a harbour at sunset](https://www.rom.on.ca/sites/default/files/styles/medium/public/blog_post/thumbnail/6753289603_4548585cc4_o.jpg?itok=Qvciw-HW)
I’m starting my Canada 150 blogging project in Newfoundland and Labrador. Why? To start, it is the province that lies geographically furthest east, and moving east to west is an easy organizational structure. More deeply, Newfoundland and Labrador was one of the last provinces to join Confederation with Canada in 1949. The vote was contentious and the margin of victory was slim. It’s less likely now, but it once would have been possible to find older residents of the island who considered themselves Newfoundlanders first, Canadians second (if Canadian at all).
#ThrowbackThursday: Badly Tied Up
![With a little imagination that is a very nice case arrangement of Quebec material.](https://www.rom.on.ca/sites/default/files/styles/medium/public/blog_post/thumbnail/little-imagination.jpg?itok=GB04KNOd)
In September, 1971, the ROM opened the landmark exhibition Keep Me Warm One Night, a kaleidoscopic display of over 500 pieces of Canadian handweaving. It was the culmination of decades of pioneering research and collecting by the ROM curatorial powerhouse duo ‘Burnham and Burnham’, aka Dorothy K. Burnham and Harold B. Burnham.