Global Fashion & Textiles: Object Lessons

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Art & Culture
Textiles & Fashion

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Veronika Gervers.
Project

Veronika Gervers: Research Fellowship in Textiles & Fashion History

The Veronika Gervers Research Fellowship was established in 1979 to honour the work and memory of Veronika Gervers, a pioneer textiles and costume scholar. It exists to promote innovative scholarly research from new and established researchers that is based upon objects in the global collection of over 55,000 textiles and costumes from across time in the permanent collection of the Royal Ontario Museum.
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Barbara Kostner, recipient of Veronika Gervers: Research Fellowship in Textiles & Fashion History

Barbara Köstner is currently a PhD candidate at the University of Bonn in the Department of Christian Archaeology. 

Detail of man’s banyan (informal gown).

Berta Pavlov, recipient of Veronika Gervers: Research Fellowship in Textiles & Fashion History

Berta Pavlov is Professor at the Center for Arts, Design & Information Technology at George Brown College, teaching in both the Undergraduate and Graduate programs.

Black and white photo of Dorothy Burnham mounting a costume in the museum.
Project

Cloth Cultures: Future Legacies of Dorothy K. Burnham

During Canada’s 2017 Sesquicentennial celebrations, the Royal Ontario Museum hosted an international conference to explore the material culture of textiles through the work and legacies of Dorothy K. Burnham
The Dome dress by Iris VanHerpen.

Dome Dress: IRIS VAN HERPEN & Philip Beesley

Iris van Herpen Aeriform Collection || Dome Dress

Alexandra Palmer and Chris Paulocik.
Resource

Experts & Objects: Christian Dior Evening Gown

Chris Paulocik, Senior Textile Conservator discusses the treatment of a Dior evening gown from the ROM's collection with Dr. Alexandra Palmer, Senior Nora Vaughan Curator, Global Textiles & Fashion.
Dr. Alexandra Palmer.
Resource

Experts & Objects: A Chanel Tie Embroidered by Joseph Wong

ROM donor Joseph Wong joins Senior Curator, Dr. Alexandra Palmer, Global Fashion & Textiles, in conversation about shifting his wardrobe from colours of Versace to the blacks of the Tom Ford era to explain why he embroidered a Chanel tie in 1996.
Vest made of neutral colour zippers.

Marlene Mock and Martin Margiela donation: Big Dress and Zipper Vest

Alexandra Palmer interviews Marlene Mock, who donated two Martin Margiela pieces to the ROM's "BIG" textiles exhibit.

Black lace dress on mount

Lonti Ebers and Alexander McQueen donation

Alexandra Palmer interviews Lonti Ebers, who donated an Alexander McQueen dress to the ROM's "BIG" textiles exhibit.

Brendan Edwards.
Resource

Experts & Objects: Fashion Research and the ROM Library: Lessons from COVID-19

Print media offers a physical reminder of the history we live in, especially in the midst of COVID-19. Explore how present-day print fashion magazines have responded to the global pandemic. Dr. Brendan Edwards, Librarian and Department Head, ROM Library & Archives, and Dr. Alexandra Palmer, Nora E. Vaughan Senior Curator, Global Fashion & Textiles.
Photo of the cover of Keep Me Warm One Night.

Learning from Dorothy K. Burnham: Hand-woven Canadian Coverlets with Dr. Adrienne Hood

Learning from Dorothy K. Burnham: Hand-woven Canadian Coverlets with Dr. Adrienne Hood, Episode 1

Detail of black and white woven coverlet.

Learning from Dorothy K. Burnham: Handwoven Canadian Coverlets with Dr. Adrienne Hood, The United Empire Loyalist British Tradition: Summer & Winter Coverlet

The United Empire Loyalist British Tradition: Summer & Winter Coverlet.

Detail of woven coverlet in red and blue.

Learning from Dorothy K. Burnham: Handwoven Canadian Coverlets with Dr. Adrienne Hood, The German Tradition: Samuel Fry Coverlet

The German Tradition: Samuel Fry Coverlet

Detail of woven coverlet in neutral colours.

Learning from Dorothy K. Burnham: Handwoven Canadian Coverlets with Dr. Adrienne Hood, The French Tradition: Quebec

The French Tradition: Quebec

Detail of woven jacket.

Learning from Dorothy K. Burnham: Innu and Cree Coats with Dr. Trudy Nicks

Innu and Cree Coats with Dr. Trudy Nicks

Striped fabric.

Learning from Dorothy K. Burnham: Indigenous-Settler Textile Exchanges with Dr. Ruth Phillips

Indigenous-Settler Textile Exchanges with Dr. Ruth Phillips

Woven baby top.

Learning from Dorothy K. Burnham: Cut My Cote with John E. Vollmer, Episode One

Cut My Cote with John E. Vollmer, Episode 1
 

Floral patterned top.

Learning from Dorothy K. Burnham: Cut My Cote with John E. Vollmer, Episode Two

Cut My Cote with John E. Vollmer, Episode 2
 

Christian Dior and ROM

Dior dress on black background
Exhibition

Christian Dior

In celebration of the House of Dior’s 70th anniversary, Christian Dior explores the brilliance behind Dior’s dramatic creations that revived the entire Paris haute couture industry after the devastation of the Second World War. In 1947, the opening of the new couture house and the revolutionary “New Look” - with soft shoulders, padded hips and long, full skirts - swept away the wartime masculine silhouette making Christian Dior’s postwar fashions desired, worn and copied by women around the world. Drawn from the ROM’s extensive collection of Christian Dior couture and supported by loans from
Installation of the Dior exhibitions at the ROM.

Christian Dior: Exhibition Installation Timelapse

Explore the brilliance behind Christian Dior’s dramatic creations that revived the Paris haute couture industry after the devastation of the Second World War in ROM’s original exhibition, Christian Dior, presented by Holt Renfrew.

Recreating a Dior dress at the design exchange.

Decoding Dior's Delphine

Research for Christian Dior, an original exhibition featuring the ROM’s collection of Dior haute couture, 1947-1957, involved in-depth analyses of the brilliant designer’s complex processes and techniques. 

Family Portrait dressed in formal gowns.

Elaine Roebuck Reminisces on Wearing a Christian Dior Dress as a Young Girl

Elaine Roebuck recounts the story of wearing a House of Christian Dior custom made dress at the age of 12 for her Bat Mitzvah in Toronto in 1957.

Woman speaking on stage
Resource

70 Years of Dior

Global fashion icon Florence Müller, co-curator of Christian Dior’s 70th anniversary exhibition in Paris, explores the scope and depth of works from House of Dior throughout its seven decades, including the importance of the atelier beyond the mid-twentieth century, and what the future holds for Dior.
Unboxing a Dior dress in the textiles lab at the ROM.

Unboxing: Passage #5, a stunning couture dress commissioned by the ROM

Dr. Alexandra Palmer, Senior Curator, Nora E. Vaughan Fashion Costume Curatorship opens a package from Dior. Inside is a stunning couture dress commissioned by the ROM. 

Dior dresses on display in museum space.

Christian Dior at Glenbow, Calgary 2019

Drawn largely from the extensive fashion and textile collection of the Royal Ontario Museum, the exhibition includes exquisite gowns and smart daytime apparel, perfumes, and accessories – all from the first ten years of the House of Dior (1947–1957), when Christian Dior himself designed the pieces.

Dior jacket on black background.

Christian Dior at National Silk Museum China 2019-20

View more information about Christian Dior at the National Silk Museum China.

Recreating a Dior dress at the design exchange.

The Legacy of Dior

Research for Christian Dior, an original exhibition featuring the ROM’s collection of Dior haute couture, 1947-1957, involved in-depth analyses of the brilliant designer’s complex processes and techniques. 

Exhibitions

Indigo-dyed Indian chintz of mixed flower sprays.
Exhibition

Florals

Explore an era of European botanical discovery and its cultural connections in Florals: Desire and Design. With world-wide exploration and the economic expansion of the 1700s came a new-found fascination with plants and flowers, resulting in their exchange around the globe through trade. Plants that were previously unknown to Europe were prized as precious gifts. Whether enjoyed in botanical gardens, on foreign luxury goods with floral decoration, or as illustrations in botanical books and magazines, there was a growing desire for all things floral. Highlighting botany’s connection to the
Floral printed white jacket
Exhibition

The Cloth that Changed the World

Made with novel cotton, vivid colours and exuberant design, the painted and printed cottons of India changed human history; they revolutionized art, fashion and science wherever they went around the globe. Featuring pieces from the Museum’s world-renowned collection, and several important international loans, this ROM-original exhibition explores how over thousands of years India’s artisans have created, perfected and innovated these printed and painted multicoloured cotton fabrics to fashion the body, honour divinities, and beautify palaces and homes. Exploring the fascinating stories behind
Exhibition

Fashion and the Force

See designer fashions from Rodarte's Fall / Winter 2014 Collection inspired by a galaxy far, far away... In 2005, Kate and Laura Mulleavy founded Rodarte, a luxury brand instantly lauded for its distinct design concepts and intricate textile innovations. A conceptual and innovative brand, Rodarte is known for its artistic mixture of high couture, California influences, and explorations into other art forms. The gowns temporarily on display at the ROM include: Yoda on Dagobah themed printed silk charmeuse gown with silk chiffon and Swarovski crystals (Look 37) Death Star themed printed silk
Exhibition

¡Viva México! Clothing and Culture

Presented by: We're taking over an entire gallery to showcase our collection of Mexican textiles. It's one of the largest and most important in the world, yet few textiles from this remarkable collection have ever been displayed. Vibrant expressions of creativity, the pieces in this exhibition combine remarkable technical skill with exquisite artistry. Over 150 stunning historic and contemporary pieces are on display, including complete costume ensembles, sarapes, rebozos, textiles, embroidery, beadwork and more. The evolution of Mexican fashion reflects the history of Mexico, where the
Exhibition

Fashion Follows Form

Fashion Follows Form: Designs for Sitting is an exhibition that invites visitors to think critically about the relationship between function and fashion in our daily lives. The history of western fashion is a sequence of changing shapes that often favours form over function and comfort. IZAdaptive (2009-present), by Canadian designer Izzy Camilleri, is a revolutionary line of fashionable and functional clothing for the growing demographic of men and women who use wheelchairs. The exhibit contextualizes these innovative garments within Camilleri’s oeuvre and historical 18th-19th century