Textiles & Fashion
Monthly Archive: December Text
#ThrowbackThursday: Drying in the Garden
In September, 1971, the ROM opened the landmark exhibition Keep Me Warm One Night, a kaleidoscopic display of over 500 pieces of Canadian handweaving. It was the culmination of decades of pioneering research and collecting by the ROM curatorial powerhouse duo ‘Burnham and Burnham’, aka Dorothy K. Burnham and Harold B. Burnham.
#ThrowbackThursday: Overshot Coverlets
In September, 1971, the ROM opened the landmark exhibition Keep Me Warm One Night, a kaleidoscopic display of over 500 pieces of Canadian handweaving. It was the culmination of decades of pioneering research and collecting by the ROM curatorial powerhouse duo ‘Burnham and Burnham’, aka Dorothy K. Burnham and Harold B. Burnham.
#ThrowbackThursday: A Very Hot Evening
In September, 1971, the ROM opened the landmark exhibition Keep Me Warm One Night, a kaleidoscopic display of over 500 pieces of Canadian handweaving. It was the culmination of decades of pioneering research and collecting by the ROM curatorial powerhouse duo ‘Burnham and Burnham’, aka Dorothy K. Burnham and Harold B. Burnham.
#ThrowbackThursday: Working Like Mad
In September, 1971, the ROM opened the landmark exhibition Keep Me Warm One Night, a kaleidoscopic display of over 500 pieces of Canadian handweaving. It was the culmination of decades of pioneering research and collecting by the ROM curatorial powerhouse duo ‘Burnham and Burnham’, aka Dorothy K. Burnham and Harold B. Burnham.
#ThrowbackThursday: Keep Me Warm One Night
Exactly forty-five years ago, in September, 1971, the Royal Ontario Museum (ROM) opened the landmark exhibition Keep me Warm One Night, a kaleidoscopic display of over 500 pieces of Canadian handweaving. It was the culmination of decades of pioneering research and collecting by the ROM curatorial powerhouse duo ‘Burnham and Burnham’, aka Dorothy K. Burnham and Harold B. Burnham.
Exhibit A: Dior Dress
“In a machine age, dressmaking is one of the last refuges of the human, the personal, the inimitable.”
— Christian Dior
Commissioned by the ROM, Passage #5 was designed by John Galliano for Christian Dior Haute Couture. This dramatic coat-dress was inspired by fashion illustrator René Gruau’s drawings from the 1940s and 1950s and is a 21st-century reworking of Dior’s 1947 New Look collection (his first).
Behind the Blitz: Become the Biodiversity
Blog by Stacey Lee Kerr, Biodiversity Storyteller / Creative Producer for the ROM's Centre for Biodiversity
At this year's Ontario BioBlitz, things are set to get a little wild... we've invited everyone to dress up as their favourite Ontario Species for our NatureFest Costume Contest. But what does it take to win a fabulous prize? Inside, in the final installment of our Behind the Blitz blog series, we've got some tips for how to come out on top, and "become the biodiversity"!
Fashion Follows Winning Form
The ROM’s Fashion Follows Form exhibition, which was featured in ROM magazine in the Summer 2014 issue, has won The Richard Martin Exhibition Award, an annual award given by the Costume Society of America.
Chinese Hat Spheres
How Chinese hat spheres became a visible means of social indentification.
Re-enactment, Archaeology, and the Ancient Rome & Greece Weekend V of IV: The Final Story
Ancient Rome & Greece Weekend is over, and I thought I would show you the results of my attempt to create a recreation, re-enactment, or impression of a soldier from Dura-Europos (so this is not really one of the original IV, so to speak, hence it is V of IV). In the group above you can see me on the left, with members of the University of Toronto's Hart House Archery Club, who collectively constitute the ROM's 3rd century Roman army (or ROMan army - it being the ROM, we are posing in front of a dinosaur).
